Music: Folk, Jazz, and Blues

African-American music that originated in the work songs and Negro spirituals of the rural American South in the late 19th century.

Traditional music, especially from rural areas, which is passed on by listening and repeating, and is usually performed by amateurs.

An eclectic, expanding collection of 20th century styles, principally instrumental and of black American creation.

A religious folk song of American origin, particularly associated with African-American Protestants of the southern United States.

Since its creation in 1779 in England, "Amazing Grace" has grown in popularity to become one of the best-known hymns in America. Explore its history from the earliest printing of the song to various performances of it on sound recordings, comprising published recorded performances of the hymn by more than 3000 different musicians or ensembles.

Ragtime, a uniquely American, syncopated musical phenomenon, has been a strong presence in musical composition, entertainment, and scholarship for over a century. This presentation of recordings from 1900 to 1925 include rags composed by Roy Carew, L. Wolfe Gilbert, Percy Wenrich, M.L.Lake and Chas J. Johnson.

This collection covers 100 years in the history of publishing (1838-1938) and represents a wide range of styles of popular and vernacular music, including Creole songs, nineteenth-century dance music, Confederate anthems, Mexican and Cuban danzas and danzon, ragtime, blues, and jazz.

American religious musical form that owes much of its origin to the Christian conversion of West Africans enslaved in the American South.

This searchable filmography documents the work of some 1,000 major jazz and blues figures in over 25,000 cinema, television and video productions.

Consists of approximately one hundred sound recordings, primarily blues and gospel songs, and related documentation from the folk festival at Fort Valley State College (now Fort Valley State University), Fort Valley, Georgia.

Jazz trumpeter and singer, born in New Orleans, Louisiana, USA. His melodic inventiveness, expressed with uninhibited tone and range on the trumpet, established the central role of the improvising soloist in jazz.

Jazz trumpeter, born in Alton, Illinois, USA. During 1949–69, he was at the forefront of jazz, developing or advancing several significant and contrasting styles and trends, all of which highlighted his intensely personal sensibilities.

Jazz trumpeter and composer, born in Cheraw, South Carolina, USA. He worked in prominent swing bands (1937–44), including those of Benny Carter and Charlie Barnet.

Billie Holiday is considered one of the greatest jazz singers of all time. Her inimitable phrasing – singing slightly behind the beat – gave her songs an air of wistfulness that was purely instinctive, for she had no training or technical knowledge.

Jazz musician, born in Rocky Mount, North Carolina, USA. One of the key innovators of modern jazz.

Jazz musician, born in Kansas City, Kansas, USA.

Jazz pianist and composer, born in Montreal, Quebec, SE Canada.

A protean figure of modern jazz, drummer Roach came to prominence in the forties, accompanying bebop founder Charlie Parker.

Musician, born in Rolling Fork, Mississippi, USA. One of the last of the great country blues singers and a primary innovator of modern Chicago blues.

Perhaps the most influential group in the history of country music, they helped to bring folk and country into America's cultural mainstream.

US singing group. In 1841 Jesse (1813-1853) became the musical director and manager of a quartet made up of four of his siblings: (Adoniram) Judson (1817-1859), John (1821-1908), Asa (1823-1884), and Abby (1829-1892).

From The Faber Companion to 20th Century Popular Music
The author of America's 'alternative' national anthem 'This Land Is Your Land' and many other classic songs of social comment and protest.

US band leader, singer, and actor. He was a pioneer of scat singing with his catch phrase ‘Hi-de-ho’, used in his theme song ‘Minnie the Moocher’ (1931).

Musician, born in Shenandoah, Pennsylvania, USA. He was a Swing Era bandleader who began with local dance bands in Scranton, PA.